CLEVER, VERY

a woman looking at a fallen tree

—Clever, Lenehan said. Very.

—Gave it to them on a hot plate, Myles Crawford said, the whole bloody history.

Nightmare from which you will never awake.

—I saw it, the editor said proudly. I was present. Dick Adams, the besthearted bloody Corkman the Lord ever put the breath of life in, and myself.

Lenehan bowed to a shape of air, announcing:

—Madam, I’m Adam. And Able was I ere I saw Elba.

—History! Myles Crawford cried. The Old Woman of Prince’s street was there first. There was weeping and gnashing of teeth over that. Out of an advertisement. Gregor Grey made the design for it. That gave him the leg up. Then Paddy Hooper worked Tay Pay who took him on to the Star. Now he’s got in with Blumenfeld. That’s press. That’s talent. Pyatt! He was all their daddies!

—The father of scare journalism, Lenehan confirmed, and the brother-in-law of Chris Callinan.

—Hello?… Are you there?… Yes, he’s here still. Come across yourself.

—Where do you find a pressman like that now, eh? the editor cried.

He flung the pages down.

—Clamn dever, Lenehan said to Mr O’Madden Burke.

—Very smart, Mr O’Madden Burke said.

Professor MacHugh came from the inner office.

—Talking about the invincibles, he said, did you see that some hawkers were up before the recorder…

—O yes, J. J. O’Molloy said eagerly. Lady Dudley was walking home through the park to see all the trees that were blown down by that cyclone last year and thought she’d buy a view of Dublin. And it turned out to be a commemoration postcard of Joe Brady or Number One or Skin-the-Goat. Right outside the viceregal lodge, imagine!

—They’re only in the hook and eye department, Myles Crawford said. Psha! Press and the bar! Where have you a man now at the bar like those fellows, like Whiteside, like Isaac Butt, like silvertongued O’Hagan. Eh? Ah, bloody nonsense. Psha! Only in the halfpenny place.

His mouth continued to twitch unspeaking in nervous curls of disdain.

Would anyone wish that mouth for her kiss? How do you know? Why did you write it then?

annotation: 

The company is once again musing about the newspaper coverage of the Phoenix Park Murders and the Invincibles (source). I find it funny that they wax so poetic about the way it was covered by the writers of the time turning them into sort of the heroes of the story. I do especially enjoy the poor woman who buys a post card as a view of Dublin only to find out it’s a commemoration of one of the assassins.

I also noticed a reference to Nestor:

—Gave it to them on a hot plate, Myles Crawford said, the whole bloody history.

Nightmare from which you will never awake.