SAD

a man describing an Irish countryside

Cleverest fellow at the junior bar he used to be. Decline, poor chap. That hectic flush spells finis for a man. Touch and go with him. What’s in the wind, I wonder. Money worry.

Or again if we but climb the serried mountain peaks.

—You’re looking extra.

—Is the editor to be seen? J. J. O’Molloy asked, looking towards the inner door.

—Very much so, professor MacHugh said. To be seen and heard. He’s in his sanctum with Lenehan.

J. J. O’Molloy strolled to the sloping desk and began to turn back the pink pages of the file.

Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts of honour. Reaping the whirlwind. Used to get good retainers from D. and T. Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve like the statue in Glasnevin. Believe he does some literary work for the Express with Gabriel Conroy. Wellread fellow. Myles Crawford began on the Independent. Funny the way those newspaper men veer about when they get wind of a new opening. Weathercocks. Hot and cold in the same breath. Wouldn’t know which to believe. One story good till you hear the next. Go for one another baldheaded in the papers and then all blows over. Hail fellow well met the next moment.

—Ah, listen to this for God’ sake, Ned Lambert pleaded. Or again if we but climb the serried mountain peaks…

—Bombast! the professor broke in testily. Enough of the inflated windbag!

Peaks, Ned Lambert went on, towering high on high, to bathe our souls, as it were…

—Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is he taking anything for it?

—As ’twere, in the peerless panorama of Ireland’s portfolio, unmatched, despite their wellpraised prototypes in other vaunted prize regions, for very beauty, of bosky grove and undulating plain and luscious pastureland of vernal green, steeped in the transcendent translucent glow of our mild mysterious Irish twilight…

annotation:

This passage Joyce seems to be drawing parallels between the dwindling fortune of the lawyer O’Malloy and the grandioseness of classic Irish writing. It seems that the authors opinion of that style of writing coincides with Bloom’s opinion of the squandered potential of O’Malloy. We can see Joyce’s writing style avoids this kind of pontification altogether.