WE SEE THE CANVASSER AT WORK
Mr Bloom laid his cutting on Mr Nannetti’s desk.
—Excuse me, councillor, he said. This ad, you see. Keyes, you remember?
Mr Nannetti considered the cutting awhile and nodded.
—He wants it in for July, Mr Bloom said.
The foreman moved his pencil towards it.
—But wait, Mr Bloom said. He wants it changed. Keyes, you see. He wants two keys at the top.
Hell of a racket they make. He doesn’t hear it. Nannan. Iron nerves. Maybe he understands what I.
The foreman turned round to hear patiently and, lifting an elbow, began to scratch slowly in the armpit of his alpaca jacket.
—Like that, Mr Bloom said, crossing his forefingers at the top.
Let him take that in first.
Mr Bloom, glancing sideways up from the cross he had made, saw the foreman’s sallow face, think he has a touch of jaundice, and beyond the obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles of it unreeled. What becomes of it after? O, wrap up meat, parcels: various uses, thousand and one things.
Slipping his words deftly into the pauses of the clanking he drew swiftly on the scarred woodwork.
In this passage when he speaks about what happens to the paper after it is read, Bloom is considering something that was heavy on my mind when I started illustrating this book. I was thinking one day about the trash i create and what impact it makes on the world. I started illustrating so that I would leave something behind other than a mountain of trash.