Dead men searching for lost organs

—The reverend gentleman read the service too quickly, don’t you think? Mr Kernan said with reproof.

Mr Bloom nodded gravely looking in the quick bloodshot eyes. Secret eyes, secretsearching. Mason, I think: not sure. Beside him again. We are the last. In the same boat. Hope he’ll say something else.

Mr Kernan added:

—The service of the Irish church used in Mount Jerome is simpler, more impressive I must say.

Mr Bloom gave prudent assent. The language of course was another thing.

Mr Kernan said with solemnity:

I am the resurrection and the life. That touches a man’s inmost heart.

—It does, Mr Bloom said.

Your heart perhaps but what price the fellow in the six feet by two with his toes to the daisies? No touching that. Seat of the affections. Broken heart. A pump after all, pumping thousands of gallons of blood every day. One fine day it gets bunged up: and there you are. Lots of them lying around here: lungs, hearts, livers. Old rusty pumps: damn the thing else. The resurrection and the life. Once you are dead you are dead. That last day idea. Knocking them all up out of their graves. Come forth, Lazarus! And he came fifth and lost the job. Get up! Last day! Then every fellow mousing around for his liver and his lights and the rest of his traps. Find damn all of himself that morning. Pennyweight of powder in a skull. Twelve grammes one pennyweight. Troy measure.

Corny Kelleher fell into step at their side.

—Everything went off A1, he said. What?

He looked on them from his drawling eye. Policeman’s shoulders. With your tooraloom tooraloom.

—As it should be, Mr Kernan said.

—What? Eh? Corny Kelleher said.

Mr Kernan assured him.

—Who is that chap behind with Tom Kernan? John Henry Menton asked. I know his face.

Ned Lambert glanced back.

—Bloom, he said, Madame Marion Tweedy that was, is, I mean, the soprano. She’s his wife.

—O, to be sure, John Henry Menton said. I haven’t seen her for some time. She was a finelooking woman. I danced with her, wait, fifteen seventeen golden years ago, at Mat Dillon’s in Roundtown. And a good armful she was.

He looked behind through the others.

—What is he? he asked. What does he do? Wasn’t he in the stationery line? I fell foul of him one evening, I remember, at bowls.

Ned Lambert smiled.

—Yes, he was, he said, in Wisdom Hely’s. A traveller for blottingpaper.

—In God’s name, John Henry Menton said, what did she marry a coon like that for? She had plenty of game in her then.

—Has still, Ned Lambert said. He does some canvassing for ads.

annotation:

Rembrandt's Lazarus Mr. Kernan is referring to Mt. Jerome Cemetery in Dublin which was at the time exclusively protestant ( wiki ). It’s evident in the text as he obviously find the service being given in English to be more relatable when he says “—I am the resurrection and the life. That touches a man’s inmost heart.”. This in contrast to the Latin mass given at a Catholic funeral.  The reference sets Bloom off on, to my mind, one of the most interesting internal monologs yet. He covers everything from the story of Lazarus in the New testament, to the intricacies of the human circulatory system, to zombies and the apocalypse. It’s far to interesting not to draw.

The second half of the passage finds Bloom’s traveling companions belittling him again. This time in relation to his wife. Something which he would feel pretty acutely as he suspects her of cheating on him already.